TRANSITION 2 (intro)

The enclosed information may appear difficult to comprehend because the man-made environments are mainly made up of disconnected elements. Unfortunately we use the anything goes approach for most of the projects: Small next to large or next to medium or very large next to very small, etc. The intermediaries are mainly absent, forcing the thought process to look for the pieces which simplify the passage between them, etc. More than thirty years of research were necessary in order to clarify that TRANSITION between the elements (sounds included…) is a KEY communicative pillar. 

The walking exercises of connecting images 61 D (2000 - ) and 62 D (2008 - ) provided enough visual experience to understand the following: The visual organization found in the natural world is very precise. Nature provides the intermediaries used to ease the passage from horizontal to vertical and vice versa, etc. These connecting pieces or elements are almost instantaneously recognized by the thought process, enabling it to spend some time cleaning its memory bank in order to be able to make decisions more effectively. Theory: The more connected the visual information, the more freedom to explore.

The organization of transition 2 demonstrates pure energy in its highest form. Its well hidden formula truly explains the importance of connecting sensory information when it comes to visual communication.

The enclosed photographs are incomplete and their purpose is to document this transition. They were taken between the years 2008-11. The use of photographs instead of handmade images (drawings or paintings) to describe this information proves that his transition truly exists. It is the section 2 of connecting Image 61 D. Please be aware that the connections from one image to another are not as fluid as the elements of the natural space or the connecting images 2-10, 12-40 and 48-60 (handmade images).

This large scale natural Transition contains a very precise motion:
•	from large to small and vice versa, what may appear to be side by side elements from small to large, is in fact a well hidden prepared transition, this in order to keep the cerebral activities low or normal. 
•	the almost straight line to the curve, what may appear... (same as above),
•	between the seasons and the reflection of the light on the ground,
•	brown (shade) to green (light source) and vice versa... 
•	brown/green to brown/green/yellow to brown/green/white... 

This transition clearly demonstrates that the thought process expects to be surrounded by this facility to move from an element to another (forms, color, light, etc) from more than just one angle. Sensory information that has survived time reflects this: Bach, Beethoven, Escher, La Tour, Rembrandt, etc  

All sensory information whose elements connect means communication. It can be: Images, literature, sounds, sports, walking exercises…

For more information, please view TRANSITION 1 (connecting image 62), 3, 4 and connecting image 61D.

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