KEYS & EXCERPTS 1 from CONNECTING IMAGE 24 CMinimal explanations:
Most of these images are accompanied by a grey rectangle in order to better control the light within the image. They reflect connecting sensory information that aims at liberating the thought process so that it can pursue solutions to problems.
For more information, please view the connecting image and 25 C with its excerpts and SOLO AT 21, 22.

For a screen of 1200 pixels in width.
 A	B   
Connecting image 24 C
A 	   

A, KEY, dry pastel 330 (13 x 18 cm), 1988

A, study for "Stadium", alkyd 145 (68.6 x 91.5 cm), 1989  

A "Stadium" alkyd 167, (155 x 198 cm), 1989

Application of Parallel Color © (image to the left)bleu purple / purple = 1,  bleu green / green = 2,  yellow green / olive = 3,  yellow green / green = 7, white / yellow / orange = 6, yellow / ochre / brown = 4 a, b, c, orange / red = 8, red / purple / purple = 5. Each element complements the others in order to work as one. For example if the forms (8) were green they would be in conflict with the center (7). Deduction: Elimination of visual competition, high level of concentration, improvement, etc. 

B, total organizations 21 and 22 (17 X 23 X 12 cm, each). 
Wood, acrylic, dry pastel, light with dimmer, etc
Comparison of color. 
21 (top) = forms and light similar to 22 (bottom).
22 = stronger color than 21. 
The light is controlled by a dimmer.

B, study for the forms of "Au delà du temps", dry pastel 340 c (27 x 38 cm), 1988

B, study for the colors of "Au delà du temps", alkyd 127 (65 x 85 cm), 1988 

B, "Au delà du temps", - Beyond time – (152 x 198 cm), 1988

At first the shadow of 2, 3, 4 seems correct, but it is a reverse replica of 1 used to simplify the connection. The passage to 1 is also prepared by the top of 4. The curved shadow of 2, 3, 4 and the curve of 1 facilitate the passage of large (image) to very small 6. 5 (means of transportation) symbolizes the motion of the thought process, pollution free, etc.

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