VITOCKEY ™
and COLOR

Vitockey™ is the combination of speed skating and inline or ice hockey.

For a slide show, please use the normal “view slide show” mode of Power Point. 
To allow time to read the written explanations, the transition from one slide to the next is manual and the transitions for the forms in each slide are automatic. Each animation is accompanied by sound. Approximate time, 5 to 15 minutes. 

PRE REQUISITE: The PDF “Vitockey and color”

1- Minimal explanations. 
2- Introduction. 
3- Parallel Color ©.
4- Shot at the goal: Parallel environment. 
5-6 Parallel environments: NVL, IVL.
7 Shot at the goal: Non parallel environment. 
8 Non parallel environment: NVL.
9 Transition. 
10-12 Very limited transition.
13-14 Transitional color kit, yes / no.
15 Vitockey and the Aquarius symbol.
16 Summary.
17 The end.

Anyone who would like to use Parallel © and or Expansionist © and or Transitional color © for personal or commercial profits, has to obtain permission from the center of research Vitockey and might have to pay fees according to the international law of copyrights. The revenues of the center are used for objective research. This presentation is password protected, if you want to print it and or have any suggestions please contact the center.
Giguère ©  all right reserved

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Introduction 

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The logo La Couleur Parallèle (Parallel Color) is designed according to the golden spiral. 
It represents the letter C of the word couleur, and the curved section of the letter P which stands for parallèle. We find Phi (1 versus 1.618) in 
A)	the straight lines that complete the curve of the letter P, the top straight line is 1.618 and the bottom one is 1, 
B)	and the length of the word LA COULEUR is 1.618 and PARALLÈLE is 1. 

The Golden spiral 

COLOR: Visual sensory information almost instantly recognized. 
Due to the rapidity of this game, and having to skate from LARGE (center of the ice) to MEDIUM (the ends) and vice versa using the Curve at a high level, it is important for the athletes to not only be surrounded by items that have a common denominator such as the Golden Rule, but to also incorporate the following system: Parallel and Expansionist Color © (mysteriously found in nature).
PARALLEL = COMPLEMENTARITY, 
in this context it means that each element complements the others. One element is never in conflict with the rest and remains infinitely parallel, like the rays (rainbow) which produce the light. 
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Parallel Color © (2)
Left: 2002-2010
Above & Right: 1999  
Shot at the goal in a parallel environment: Let us say that you have a free shot at the net; you slow down your brain. Being aware that the goal is the only item that is GREEN #7, you almost instantly proceed to shoot. For more information, please view the PDF Vitockey and color.

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VITOCKEY in a parallel environment (North American surface)  
To view this image and the next one in a larger format, please download  the PDFs in the list of Vitockey.

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VITOCKEY in a parallel environment (Olympic surface)

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Non parallel color 
Present National Hockey League		National Vitockey League with non parallel color
Shot at the goal in a non parallel environment: Let us say that you have a free shot at the net. You slow down your brain. Being aware that the goal is pure RED in addition to part of the goalie's pad, sweaters, the lines on the ice, part of the other team's uniform, the boards, the bottle on top of the goal, the referees and the red lights not seen in this picture, etc - instead of instantly shooting the puck - you hesitate because of the visual confusion (red). The processing speed depends on each individual. 

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VITOCKEY in a non parallel environment. When we add the commercial ads at a live game or on television - as at most sports – the spectator and players have to deal with an environment similar to this one.
Non parallel color (2)

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The natural discovery TRANSITION shows us the ease to move from one element to another. Nature prepares us by blending the colors between the elements so that when we encounter side by side color (hard edged) we are prepared. 
  
Image on the right: Each element connects with the others because of the blending and the prepared hard edged areas. 
Images on the left: The flowers grow from small to larger areas and vice versa easing the connection with the other elements.
Image on the right: The flags of various countries and some twentieth century images seem to have played a role in the choices of consistently hard edged colors used in the present sporting world (colors next to each other, no blending).

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Non parallel color (3)
Moving and static elements: The teams / sticks / ball / on the grass. 
Team 1 = uniforms (mainly white / black / some orange) / the gloves and sticks (mixture of red, white, orange), the foreground stick has a rare blend.
Team 2 = uniforms (red / some yellow) / the gloves and sticks (mixture of orange, white, black).
The passage from hard edged color team 1 to hard edged color team 2 is difficult and the visual motion is incomplete (even more so with the surroundings).

Moving and static elements: The passage from hard edged color team 1 (uniforms yellow / blue green) to hard edged color team 2 (uniform red / white / blue / black) is difficult because most of the colors used are highly intense. This becomes more evident when they meet each other and with the green turf especially in motion.
Our visual experience is diminished because of unprepared hard edged elements = lack of visual communication because there are no natural transitions.
Confusion: Left image = medium, right image = high.

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Non parallel color (4)
Including a goalie and a referee on the outside. 
Unfortunately in these images we visualize unprepared hard edged color with no natural transitions.
Theory: Our visual experience is consciously and or unconsciously very diminished because of the lack of visual communication. The mind is busy trying to find the missing connections between the moving and static elements, etc. 

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Is the image below easier to visualize because its surrounding advertisement is simpler than the one above ? Etc. 
Non parallel color at a very high level. 

Non parallel color (5)

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Transitional color kit
In order to assure a high level of visual recognition, a league must use a transitional color kit. It consists in combining the simple discoveries Transition © with Parallel and Expansionist Color ©, for all teams involved and taking into consideration future ones. 
This kit can be for 10 teams and more ((play and intermissions). Hockey, Vitockey, Broomball and Basketball, have a background which facilitates the use of a kit of colors (ice – very light gray becoming white - or natural wood). The kit for Vitockey consists of organizing each element so that when the players and the referee are moving, their equipment complements what is inside the rink and outside if it is a completely organized environment. This means that the clothing of each team is in harmony with A) the clothing of the other team, that of the referee, the trainers, the first aid personnel, the spectators, etc and B) the boards, the water bottles, the goals, the nets, the ice, the lines, the puck, the towels, the score board, etc. The same applies for the puck. As explained in the PDF Vitockey and color, the color of the referee’s equipment changes according to the two teams that play, because his equipment complements the teams’ equipment on the ice. 
The transitional kit for the intermissions consists in organizing each new element so that they complement the rest of the arena. This can include entertainment, the zamboni, the maintenance crew, etc. 
 
There is no historical precedent for this systematic use of color because we have yet to understand the importance of unified sensory information. The systems of Parallel Color ©, Expansionist color ©, and Transitional color © required years of practice to find objective combinations. At first glance, practical applications may seem impossible because the present sporting world has gone in the opposite direction, but it becomes quite simple once we understand the flow of instantaneous visual communication. 
WITH VIRTUAL REALITY IT IS NOW POSSIBLE TO DEMONSTRATE THIS.

Parallel (unified sensory information) ease to understand.
Non parallel (broken sensory information), a transitional color kit cannot be applied because too many elements are using the same family of color.

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Unfortunately it is not possible to put into practice a transitional color kit in the present world of the sports because several teams in each league use the same families of colors. Nobody is to be blamed because we have yet to discover that communication means recognizable or unified sensory information, indirectly explained by Bach, Beethoven, Escher…. 
Theory: The visual organization of the images above, whether static or in motion, being unrecognized and undeleted by the thought process, builds stress that can awaken negative behavior.

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The Aquarius symbol is also used in this game because we have entered the XXIst century. It is reproduced:
A) At the center of the ice, 
B) For the logo of the puck, 
C) For the transparent cover and or the back wall of the players’ bench,
D) For the bottom of the equilateral triangle of the trophy.

Almost all the items used in this game, including the very small (puck, water bottles, towels, etc), reflect the GOLDEN RULE. They are surrounded by an ellipse that inspires motion within its surface (CURVE = high level of visual communication) and these items use multiple systems of color in order to facilitate the passage between the elements inside the sphere or arena. 
Theory: This combination creates unified visual sensory information
that can be almost instantaneously recognized. 

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SUMMARY: This game is the combination of (A) the Golden Rule (1 versus Ø), (B) the Curve, and (C) Parallel and Expansionist Color ©. (E) represents the Aquarius symbol used on the puck, etc. The word Vitockey comes from vite hockey, it originates from the speed of the puck caused by the elliptical board (B). 
Its purpose is to reproduce unified sensory information at a level high enough to liberate the thought process so that the players and the spectators are free to explore. 
Parallel (unified information) = positive thinking      
non parallel (broken information) = negative thinking

To learn more about the difference between a parallel and non parallel environment, please view: the PDF / How to differentiate unified from broken visual sensory information, the PDFs Transition / Vitockey and Color / Vitockey and the Golden rule / the animation Pass & score, etc. 

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sculpture	painting by Vélasquez           nebula           pantheon        vitockey’s goal
basketball              tennis                 soccer 		architecture

Visual sensory information is any information that is visual, whether it is painting, drawing, natural phenomenon, architecture or a GAME.
Sensory information = communication.
 Adequate visual communication comes from innate organization such as the Curve, the Golden Rule, Parallel and Expansionist Color ©, TRANSITION... 

Wishing you unified sensory information,

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