26 examples that can help better distinguish unified from broken visual sensory information.
This approach is based on the fact that the sensory information of Bach, Beethoven, Escher, La Tour, Rembrandt, etc is alive today because of its organization, highly unified sequences of sounds or forms. Deduction: Durable communication must follow the same principle. 
For more information, please view section 1 / examples of expansionist thinking, the precision of the human mind, the evolution and the results of visual competition (3). 
For a 1200 pixels screen in width.

UNIFIED  SENSORY  INFORMATION

Escher: 
The transition from day to night is barely noticeable. The organization of the light and the forms reflect a high level of communication between each form. This image is the proof that the human mind feels at home when there is unification. 

Bach, Beethoven:Same organization but with sounds: While listening to the sixth symphony by Beethoven or the concerto in A minor BWV.1065 by Bach, we realize that each sound has a very specific purpose, the unification of all the sounds. By repeating this experience, we might eventually find a passage towards improvement, etc.

Rembrandt: 
The lines in the left image are for explaining part of the unified sphere. Each form, line, color, light 
complements one another in order to create a continuity whose precision is high enough for the anyone to eventually go beyond the material appearance of the image. This organization lets the human mind proceeds smoothly towards knowledge, where resides the solutions. 

La Tour: 
The lines in the left image are for explaining part of the unified sphere. Each form, line, color, light 
complements one another in order to create a continuity whose precision is high enough for the anyone to eventually go beyond the material appearance of the image. This organization lets the human mind proceeds smoothly towards knowledge, where resides the solutions. 
      
Ingres: The lines in the left image are for explaining part of the unified sphere. Each form, line, color, light 
complements one another in order to create a continuity whose precision is high enough for the anyone to eventually go beyond the material appearance of the image. 

The Tajmahal: 
Symmetry, each line links with the others to reproduce a motion that lets the human mind slide towards improvement.

Cardinal, architect:  
Asymmetry, Each line links with the others to reproduce a motion that lets the human mind slide towards improvement.

Velázquez: 
The lines and the letters in the right image are for partially explaining the passage between the forms inside of the sphere. This image not only demonstrates a high degree of unification, but introduces C, the KEY element that prepares the passage from D (the green oblique line in the background) to B (the painter’s brush) and A (foreground). C (reduced light) is used as relay between the foreground (light) and the background (return to light) of the sphere. 
C has a frame whose dimensions are closely related to the golden rectangle, and two of the forms near A are closely related to the golden triangle, ETC.  
“The Meninas” 
Each form, line, color, light complements one another in order to create a continuity whose precision is high enough for the human mind to go beyond the material appearance of the image = a voyage free of obstacles = freedom to explore dimensions where resides the solutions to any problem whatever they are. 
The unification of this image shows the highest respect for others. It is the proof that it was conceived by a WE (unified sensory information). 

Picasso:
This image is an interpretation of the left image. It shows that not only the different elements do not unify but that the KEY passage, C, is missing, simply because it was never taking into account. This demonstrates that its author was unconscious of the high level of precision that the human mind can reach.
Result: Constant reminder of the physical presence of the image, extreme visual competition, image executed by a me (broken sensory information). 
Picasso cannot be held responsible for playing an important role in the liberation of broken sensory information. Thanks to this mega confusion that is amplifying day by day, we are becoming more and more conscious of the problem. Was his destiny to point humanity towards the canyon of permanent darkness, and ours to change its present direction?

BROKEN  SENSORY  INFORMATION
Imagesleft, 1-4, 7-14, 16 -17.

Clear cutting:
1) Reminder of the straight line (manufactured world). 
2) The high contrast between the standing trees (vertical straight lines) and the clearing (horizontal space or flat surface) is not supported. 
3, 4) A few trees inside the clearing can partially reduce this visual contrast. The standing trees have to link not only between themselves but with those defining the clearing. Suggestion the use of Ø, etc.
5) Having trees of different size (medium to small) and the absence of the straight line facilitate the visual perception of this natural medium size - relief. 
6) A valley or a mountainside can be compared to a blank sheet of paper onto which we can put into writing our personal experiences (words, images, sounds, solutions to all sort of problems) letting the next visitor the same visual freedom. It is logical to deduct that in any democratic society, the highly visible forests remain visually speaking the property of all people, because of equality. The visual communication of Escher, La Tour, Rembrandt, Velázquez = equal unity for each element = the WE. In nature, vegetation is in the family of the greens = simplicity. Please refer to section 1 / Parallel Color © and Transition.

In the images above, the forms in the foreground / middle ground / background or on the left /on the right or on top / at the bottom do not complement one another form wise and color wise. We must constantly try to find the missing pieces that can ease the passage from one form to another. Because of the visual movement of the spectator and the forms being visualized (static and in motion), it is impossible for the thought process to adjust to so much unpredicted information. The unification caused by the curves in image 10 is broken by the advertisement on the bench and the truck resulting in going back to the sign or the vehicle instead of the curves because they do not complement the rest. Whether we view a tree next to a field, a red house next to a white one, or a blue or white vehicle, the thought process analyzes each element in the same way, it looks for unification between each one. When there is motion this merry go around becomes accentuated and the thought process unconsciously encounters the WALL of static thinking or the inability to think clearly. 
Is the song entitled “Roll over Beethoven” the result of the above? The music of Beethoven cannot disappeared because its sounds are unified = they free the thought process so that it can access personal and universal solutions.

One of the reasons for the expression “The first snow is here” is because it eliminates part of the non parallel color conflict between the various flat surface elements = the white (snow) roofs of 13 and those which are in competition for the brown / red / black / gray… of 14 (the equivalent of small clear cuts in color). The majority of house owners enjoy their lawn. This is one of the rare natural elements left besides a few trees that try to reproduce the disappeared natural unification. Parallel color © is a natural system that can unify the various elements. It can even round off (soften) the confrontations cause by the straight lines of the buildings. 
Image 16 can be compared to the Olympic Games. Each country brings its colors and the spectators attend two competitions: The overall visual competition and the athletes competing for medals, motion is part of the package. The thought process almost constantly is occupied trying to find the missing links between the static and the moving forms in order to attain a visual unification. In 16, if the trunks of the tress were natural (opaque color), would the universe be livable?

FRONT VIEW IMAGE
almost totally flat

VIEW FROM ABOVE
the straight line = the vertical circle
 the horizontal circle (the rounded form) is almost absent

The image (front view), was and still continues to reflect one of the many artistic movements of the twentieth century. It is the result of the frustration caused by the incapacity to be able to correctly analyze the manufactured world. The freedom of movement (depth represented by the horizontal circle) is almost non-existent because the thought process is almost totally busy trying to reunify the surroundings.  Deduction: Broken sensory information with rare and unexpected particles of unified information = inability to think clearly. For more information, please view section 1 / expansionist thinking.

VISUAL APPROACH:
Let us say that a 2 D or a 3 D image is the equivalent of visiting the inside of a sphere. As for a 3D image of format smaller than the human form, it is the equivalent of analyzing a sphere from the outside.

2 D Image: Is there a light source? 
Can we move from the foreground to the background (visit the interior of the sphere) with ease?
3 D image: Can we go around the forms and visit the interior with ease? 
If there is color, do the forms complement one another and is the same color used by more than one form? 
Are we experiencing a visual competition?
Are we looking at the image or the image is looking at us? 
Are we very conscious of the physical presence of the image after one minute? It is preferable to keep a distance between 5 to 10 times the height of the image.

The image is a tool of communication which can release or imprison the thought process. Space reproduces inside the sphere is what it registers. The larger the sphere, the higher are the possibilities to explore beyond the physical presence of the image in order to reach discovery. What it represents is secondary, however if there are no figurative references, the space within the sphere is higher because there is no reference to matter. The thought process feeds on motion. 

The comparison between a parallel and non parallel environment could not have surfaced before the arrival of the new technology, because of the difficulty to put them into practice. 

Virtual reality has become an important tool to verify the following theories: 
Unified sensory information being almost instantaneously recognized can lead to improving what needs to be.
Broken sensory information is not being analyzed because it has no universal reference, causing stress that awakens negative behavior.

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