NATURAL CONNECTING IMAGE 63 A, B, C are 3 groves of large cedars. The project began during the winter 2009 and was not finished because of the distance location. Natural connecting image 63 D (leaf trees - birch- harmonizing with cottonwood) will not be completed, because of the noise caused by cars at a short distance. The first image of transition 4 (1) is an excerpt. 

NATURAL CONNECTING IMAGE 63 (NCI 63E)

“Exceptionally well-disguised COMPLEMENTARITY” 

The natural connecting image 63 known as Grasshopper Pass, is a high altitude hike located in the North Cascades, Washington, USA.
 
This visual explanation aims at illustrating the importance of COMPLEMENTARITY. 
that may sometimes appear mysterious.
In the natural world, connectors are provided to facilitate the passage between the different elements (forms, color, light, shade...). The ease of movement from one form to another is so subtle that we are unaware of it, unless we spend a great amount of time surrounded by nature or unified sensory information. NCI 63, visually speaking, is meant to demonstrate how natural forms complement one another, even if this complementarity is sometimes tiny compared to the rest. The vegetation of NCI 63 consists of mainly asymmetrical trees, flowers and plants, alpine meadows, rocks, sand, small ponds of water, mountains, blue sky, clouds… Its length is 8 approximately kilometers and a bit more at an altitude of approximately 2000 meters. 

Some of its purposes are to illustrate the basic visual organization of an almost untouched natural environment and use it as an example for future virtual 3D voyages. It provides access to unified sensory information for those who are daily surrounded by broken sensory information. 

The images are used to document this natural connecting image. They were taken with an Olympus e620 / lens 14-54mm and a Sony a33 / lens Minolta 28-135mm, on the same day. Because of its distant location, Harts Pass, North Cascades, Washington, I visited this location only a few times during the 1990s and went back at the beginning of October 2012. Be aware that the location of some of the red purple arrows for a few of these images might not 100% accurate.

For more information, view the NCIs 61D, 64 and 65. In NCI 61D, the preparation to move from reduced light (shade in section 2) to maximum light (small lake = large clearing) is 3.4 kilometers. In transition 4-61, the opposition large-small, is less 100m. In NCI 64, the one kilometer exercise ends inside a clearing with maximum light. In NCI 65, the exercise clarifies the importance of including the connecting elements between the oppositions. In NCI 66, the exercise clarifies the importance of being surrounded by elements which reflect ø. It is also suggested to visually read the discovery "Transition". 

Theory: NATURE PROVIDES A VISUAL BLUEPRINT OF THE HUMAN MIND.

MINIMAL INFORMATION
These files do not include written explanations as they are conceived for a visual reading. If you find it difficult to visually read them, it is recommended to view them more than once while listening to unified music (high level of connecting sounds that can help to concentrate...). They are also meant to be viewed in progression, as each file evolves from the previous ones. The continuity between these files enhances comprehension.

The blue purple ellipses at the bottom of each section are the links to the files, either a solo PDF or a Zip file (more than one PDF). These PDFs files (3840-6144 x 30000 pixels) are meant to be viewed on a large or multiple monitors and or a screen with a projector. Their size varies from 1.91.to13mb except for the map that is 82kb. These files are password protected and can all be printed, quality internet. They can be opened with acrobat 7.0 or later and their visual quality is slightly above 50%. The ZIPs have not been compressed. 

The color red purple indicates the area to be viewed (the arrows = the place where the photographs were taken). The yellow green lines are used for connecting the diagrams 2d & 3d to the images. The red Xs in 63-Transition-2 indicate the lines that do not communicate with the others; this can be verified by any experts in mind scanning using MRI technology. If you design a virtual 3D voyage, it is suggested not to include the non-connecting lines, for example oblique (dead branches or trees) among vertical (live trees), because the level of visual perception is not the same as fully living the experience, and this from all angles. Fortunately in most healthy natural forests, the dead wood is limited to the ground, between 1-10% of the visual information. 
MAP
PDF 84kb, VECTOR = can be viewed in any size. This physical exercise reflects the curve, synonymous to being in tune with the rotation of the universe.  
 
MINIMAL VISUAL EXPLANATIONS (1)
Inside the HTML file: The image above is a MINI preview of NCI 63: going (west), returning (east), some examples of the connecting elements and of the universal discovery transition. For small screens. The height of the original images is reduced from 2000-3000 to 160-264 pixels, total format (1920 x 15000), PDF 3.21mb, NO VISUAL EXPLANATIONS.

Going and returning: A ZIP file (5 PDFs, format 6144 X 30000), for a total of 60.6mb.

NCI-63, going 1, 2: High altitude panoramic views, walking westward.
NCI-63, going 3: High altitude panoramic views, walking westward and south at the end. It includes the SURPRISE, a well-disguised complementarity.

NCI-63, return 1: High altitude panoramic views, walking north and east. 
NCI-63, return 2: High altitude panoramic views, walking east. 

MINIMAL VISUAL EXPLANATIONS (2)
Connections and transitions: A ZIP file (9 PDFs, format 3840-6144 x 30000), for a total 64.8mb.

NCI-63, connection 1: Visit of 9 orchards of larches (mainly asymmetrical trees). 
NCI-63, connections 2, 3, 4: 
Connection 2, eight panoramic views of 180 degrees and one of 360. 
Connection 3, comparing the top of a mountain at the beginning with the top of the last mountain to hike. 
Connection 4, comparing the water ponds halfway to the ones at the end for the complementary SURPRISE.
ETC…
Note: The level of fluidity between each image in each of the following 7 files is slightly lower than the previous ones.

NCI-63 transition 1, 2, 3: Various examples of the universal discovery Transition.
NCI-63 transition 4: Various examples of the universal discovery Transition, regular color photography compared with color infra-red photography.

NCI-63 transition 5, 6: Complementarity 5 (color) and 6 (transparency).

CONCLUSION
One PDF (format 3840 x 30000), 1.92mb.
The disguise of the visual COMPLEMENTARITY of the NCI 63 is similar to section 10 (Samuel Goldenberg und Schmuyle) in “The Pictures at an Exhibition” by Mussorgsky and orchestrated by Ravel. The first 63 seconds of this musical section are a reminder of how important it is to prepare the passage between the oppositions, in this case, LARGE / OPACITY / COLOR (a 8 kilometers hiking trail surrounded by high altitude panoramic views) to SMALL / TRANSPARENCY / COLOR (blue green ponds). For more information, please view the PDF 12-17Cx (3) 800x9500 inside ENC 12-17.

For those who would like some free images of NCI 66, please contact the research center vitockey.
Wishing you unified sensory information,
Jean-Jacques Giguère © all rights reserved

P.S 1 
Before 2007, I very rarely used photography for recording nature because I felt that these walking exercises were best experienced physically. Then in 2007, due to the impossibility of communicating with the WHOs (please view the file "Who decide when it comes to sensory information?" at the bottom of each section), because of their inability to reach a universal approach, I decided to document nature to provide concrete evidence of the discovery Transition.

The present man-made world –April 2018- is playing a major role in eliminating the natural transitions between the oppositions (images, sounds becoming more and more symmetrical…). Growing unprepared oppositions are unconsciously sapping the cerebral energy worldwide, resulting in confusion. In the name of freedom, good or bad are classified as equal = THE SPIRITUAL FOG.

Rare are those who are aware that communication between two or more human minds requires unified sensory information. Ample examples have been left by Bach, Beethoven, Escher, La Tour, and Rembrandt… 

The unique connecting image 18-23, has yet to be recognized as a highly prepared visual information, because those who are in charge of sensory information worldwide, are surrounded by broken sensory information from every angle = unprepared oppositions. This elite group of individuals who are unaware of the importance of images have enforced “the anything goes” at almost every level, resulting in amplifying the most dangerous addiction “HUMAN THOUGHT COLLECTING” or the impossibility for two human minds or more to work together for a long period. In 2018, societies are unable to contain normal behavior = broken sensory information = global suicide. 

NCI 63 is another example of the importance to prepare audio visual oppositions. It epitomizes the science of visual communication, black - many transitions of greys - white = unified sensory information = portal to exploration. 

Deep thinkers are gradually becoming aware of ways to CIRCUMVENT ignorance.

P.S 2
Some of you should know that since 1984, I have made many applications for teaching at the college and university levels in North America and a few in Europe, they were ignored. As for public and private art exhibitions, listed in the resume, they went largely unnoticed.
My wife not only had the burden to pay for every bill, but has constantly been reminded that the research enclosed in this web site has been classified as unwanted by the experts in visual communication, the WHOs. They cannot be held responsible, because they are surrounded by audio-visual broken sensory information. We are the reflection of our surroundings.