NATURAL CONNECTING IMAGE 64 (NCI)
(Documentation for a 3D virtual voyage)

In the natural world, connectors are PROVIDED to facilitate the passage between the different elements (forms, color, light, shade...). The ease of movement from one form to another is so subtle that we are unaware of it, unless we spend a great amount of time surrounded unified sensory information. NCI (natural connecting image) 64 is meant to visually demonstrate how natural forms complement one another. Some of its purposes are to take out the basic visual organization of an almost untouched natural environment and use it as an example for future virtual 3D voyages and to provide access to unified sensory information for those who are surrounded by broken sensory information. 
Natural connecting image 64 is a walking winter exercise in a natural environment and a live 3 D linear drawing. Its long curves leading to smaller ones (ellipses, circles and a symbol of infinity = analysis of the surroundings from every angle), its simplicity of moving from small to large (small-medium-large), curves - straight lines trees - transparent - opaque trees, and its transitions and progressions of reduced to maximum light {three areas with a lot of trees (reduced light), three areas with small trees and or shrubs (normal light) leading to a clearing with some large tress (maximum light)} makes NCI 64 a highly organized visual environment.
Its vegetation consists of a combination of shrubs and trees (opacity = conifers, transparence = birches/cottonwood…), height approximately 20-25m. Please refer to the photographs. Its total length is more than one kilometer, altitude 744 meters.

For more information, view the natural connecting image 61D. In NCI 61D, the preparation to move from reduced light (shade in section 2) to maximum light (small lake = large clearing) is 3.4 kilometers. Transition 4-61 is another example, the transition between the opposition Large-Small, is less 100m. This connecting image played a major role in the clarification of transition 5 that should be also be visualized. It is recommended to visually read the discovery "transition". Theory: NATURE PROVIDES A VISUAL BLUEPRINT OF THE HUMAN MIND and to surround oneself with unified music.

The maps: 1 (the trail, 13000 x 30000, 528 kb), 2 (the trail accompanied with lights, 10000 x 16000, 274 kb), 3 (the first two and the lit trail it on its own without the lights, 15556 x 10000, 1.67mb). 

MINIMAL EXPLANATIONS
These files do not include written explanations as they are conceived for a visual reading. If you find it difficult to visually read them, it is recommended to view them more than once while listening to unified music (high level of connecting sounds that can help to concentrate...). They are also meant to be viewed in progression, as each file evolves from the previous ones. 

The blue purple ellipses at the bottom of each section are the links to the files. These PDFs files (3000 x 30000 to 5000 x 30000 pixels) are meant to be viewed on a large or multiple monitors and or a screen with a projector. Their size vary from 4mb to 10mb except for the maps (smaller). These files can all be printed, quality internet. They are password protected except for the extras. 

For more information, please download the following word file RTF (T En 3).
Follow-up from the HTML.
Techniques: Photography (regular and very few infrared), wood (four 3d models are used to simplify the limited visual explanation on the internet and some virtual diagrams. The 3d models and diagrams are approximate. The cameras used, were of amateur quality. The images were taken on sunny/cloudy/snowy days, mainly 2009-12. The purpose of the enclosed photographs is to document this connecting image. The arrows indicate the place where the photographs were taken.

NCI 64, preview for small screens (cell phones, tablets): The height of the original images is reduced from 3000 to 240-400 pixels in height, total format (3000 x 23000 pixels), NO VISUAL EXPLANATIONS.

NCI 64, IMPORTANT explanations 1-6, format (5000 x 30000 pixels for a total of 5000 x 180,000), explanations 3 and 5 demonstrates that CI 64 is also designed to emphasize transparence versus opacity, quite obvious on the snow. In explanation 4, the background lines at the bottom are excerpts of the walking trail, this physical exercise makes use of the curve (100%) and tunes in with the rotation of the universe… VISUAL EXPLANATIONS.

NCI 64 (1-9) the first part of the walking trail clockwise, format (3000 x 30000 pixels for a total of 3000 x 270,000), VISUAL EXPLANATIONS.

NCI 64 (10-19) the first part of walking trail counter clockwise, format (3000 x 30000 pixels for a total of 3000 x 300,000), VISUAL EXPLANATIONS.

NCI 64 (20-27) the second part of the walking trail, major transition from reduced to maximum light, format (3000 x 30000 pixels for a total of 3000 x 240,000), VISUAL EXPLANATIONS.

NCI 64 (28-33) the second part of the walking trail, the return to the first part 20-27, maximum-reduced-medium light, format (3000 x 30000 pixels for a total of 3000 x 180,000), VISUAL EXPLANATIONS.

NCI 64 (34-37) walking trail, going from west to east of previous (1-27), the reverse east to west, and extras (views of the large arch)… Format (3000 x 30000 pixels for a total of 3000 x 120,000), VISUAL EXPLANATIONS.

NCI 64, conclusion, format (5000 height x 30000 width), VISUAL EXPLANATIONS.

The level of fluidity between each image in the following files is lower than in the preceding ones.

NCI 64, preparations 1-5: Looking at images on the internet cannot be compared to fully experiencing this walking exercise (a very high level of recognizable sensory information from every angle). 
The following files are for those interested in reproducing a walking exercise in real life or virtually. If you plan to exercise into similar natural connecting elements, make sure that it is away from cities, some visitors might not understand. If you aim at reproducing a similar virtual 3D voyage, it is recommended that you find a natural place to practice first. 
For a higher level of visual connection between the elements, some of the oblique lines (non-connecting) were physically and or virtually removed. The dead wood (branches and tree trunks) was almost completely removed in some small areas (the infinite symbol, the arch, the curved X, the small circle on the west side, and toward the end). In this context, dead wood refer to the oblique lines or nonparallel to the verticals (live trees). As for the curved trees (shorter life) they remain in place because they complement the vertical straight lines. Format (3000 x 30000 pixels for a total of 3000 x 150,000), VISUAL EXPLANATIONS. 

For those who would like some images of NCI 64
NCI 64, extras: These 9 files (4000 x 30000 pixels) are not password protected, you can remove each the photographs from the PDFs with most 2d software programs. SOME of you should know that my income from selling images while living in Western Canada has been less than $801.00, as for my income from teaching (M.A, M.F.A) 100% academic refusal, and for my rights to speak or exhibit = reduced to my wife’s connection from her former position at the universities and this since 1984. Prediction for future income from image making $0.00. 
My wife not only had the burden to pay for every bill, but has constantly been reminded that the research enclosed in this web site has been classified as unwanted by the experts in visual communication, the WHOs. They cannot be held responsible, because they are surrounded by audio-visual broken sensory information. We are the reflection of what we are surrounded with.

Wishing you unified sensory information,

Jean-Jacques Giguère © all rights reserved
P.S
Before 2007, I very rarely used photography for recording nature because I felt that these walking exercises are about mind expansion. Then in 2007, due to the almost total impossibility to communicate with the WHOs (please view the file "Who decide when it comes to sensory information?" at the bottom of each section). Because of their constant rejection of everything that is not trendy and their inability to reach a universal approach, I decided to document nature = they can no longer accuse me of fabricating personal images like CI 4a (excerpt 1), because that image is done according to the natural rules.

The present man-made world –September 2015- is playing a major role in eliminating the transition between the oppositions (images, sounds becoming more and more symmetrical…). These growing unprepared oppositions are unconsciously sapping the cerebral energy worldwide, resulting in confusion, in the name of freedom, good or bad are classified as equal = THE SPIRITUAL FOG.

Rare are those who are aware that communication between two or more human minds necessitates prepared oppositions or unified sensory information. Ample examples have been left by Bach, Beethoven, Escher, La Tour, and Rembrandt… 

The following black and white drawing “Grand, Petit, plus Grand” in the man-made connecting image 4a (in French, ENC 4a, excerpt 1), has not been recognized as a highly prepared opposition because the WHOs –those in charge of human behavior- are surrounded by broken sensory information from every angle = unprepared oppositions. This small group of individuals who are unaware that images is what makes humanity go right or left,  have legalized the anything goes at almost every level, resulting in amplifying the most dangerous addition HUMAN THOUGHT COLLECTING or the impossibility for two human minds or more to work together for a long period. In 2015, societies are unable to contain normal behavior = broken sensory information = global suicide. The few that are trying to figure this out are silenced.

NCI 64 is an example of the science of visual communication, black - many transitions of greys - white = unified sensory information = free of human thought collecting.