NATURAL CONNECTING IMAGE 66 (NCI)
(Documentation for a 3D virtual voyage)

NCI 66 is partially a repetition of NCI 64. NCI 66 emphasizes the use of elements that reflect the simplicity of the Golden Mean = Ø (1 versus 1.618). This plays an important role in clarifying that inner balance means the inclusion of the greys between oppositions like black and white. 

In the natural world, connectors are PROVIDED to facilitate the passage between the different elements (forms, color, light, shade...). The ease of movement from one form to another is so subtle that we are unaware of it, unless we spend a great amount of time surrounded by unified sensory information. NCI 66 visually demonstrates how natural forms complement one another. The vegetation in this area consists of a combination of shrubs and trees (opacity = conifers, transparence = birches/cottonwood…), height approximately 20-25m. Please refer to the photographs. The trail’s total length is approximately 1.5 kilometer, at an altitude of 744 meters.

Some of its purposes are to illustrate the basic visual organization of an almost untouched natural environment and use it as an example for future virtual 3D voyages including the Golden Mean. It provides access to unified sensory information for those who are surrounded by broken sensory information. 

NCI 66 is an all seasons walking exercise in a natural environment and can also be categorized as a live linear drawing. The trail is made of long curves leading to smaller ones (circles = analysis of the surroundings from every angle). It facilitates movement from small to large (small-medium-large), from curved to almost straight lined trees, from transparent to opaque trees, and includes six transitions of reduced light (areas with a lot of opaque trees) to medium and maximum light (areas with small trees or shrubs and transparent trees). It ends with elements that highly reflect Ø (1 versus 1.618), inside a large clearing of light. While walking this natural connecting image, we experience many repetitions of elements that are organized according to the Golden Mean, making this exercise, a highly organized visual natural environment. It also contains exceptional examples of the discovery “transition”. The repetition of exercises like this one, makes it possible for anyone to reach dimensions beyond the five senses, depending on the content of one’s memory bank.

For more information, view the NCIs 61D, 64 and 65. In NCI 61D, the preparation to move from reduced light (shade in section 2) to maximum light (small lake = large clearing) is 3.4 kilometers. In transition 4-61, the opposition large-small, is less 100m. In NCI 64, the one kilometer exercise ends inside a clearing with maximum light. In NCI 65, the exercise clarifies the importance at including the connecting elements between the oppositions. It is also suggested to visually read the discovery "transition". 

Theory: NATURE PROVIDES A VISUAL BLUEPRINT OF THE HUMAN MIND.

MINIMAL EXPLANATIONS
These files do not include written explanations as they are conceived for a visual reading. If you find it difficult to visually read them, it is recommended to view them more than once while listening to unified music (high level of connecting sounds that can help to concentrate...). They are also meant to be viewed in progression, as each file evolves from the previous ones. 

The blue purple ellipses at the bottom of each section are the links to the files, either a solo PDF or a Zip file (more than one PDF). These PDFs files (6480-20000 x 30000 pixels) are meant to be viewed on a large or multiple monitors and or a screen with a projector. Their size vary from 6.16mb to 35mb except for the maps (smaller). These files are password protected and can all be printed, quality internet. They can be opened with acrobat 7.0 or later and their visual quality is slightly above 50%. The ZIPs have not been compressed. 

The color red purple indicates the area to be viewed (the arrows = the place where the photographs were taken). The yellow green lines are used for connecting the diagrams 2d & 3d to the images. The red Xs indicate some of the non-connecting lines (dead wood = branches or tree trunks), suggestion: Not to be included, if part of a virtual 3D voyage. 
The following could be verified by any experts in mind scanning using MRI technology: Any non-connecting lines, for example oblique among vertical = dead branches or trees, have to be processed by the human mind. This means that the physical presence of these oblique lines is an obstacle for accessing the exploration mode. Fortunately in most healthy natural forests, the dead wood is limited to the ground, between 1-10% of the visual information. 

Techniques: Photography (regular and infrared), wood (six 3D models and some virtual 2D diagrams are used to simplify the limited visual explanation on the internet. These are APPROXIMATE. The cameras used, were of semi-pro quality. The images were taken on sunny/cloudy/snowy days from 2013-16, and totalize 223GB (raw & jpeg). The purpose of the enclosed photographs is to document NCI 66. None of the images are repeated except in the explanatory section, however in NCI 66-6, 4 images from NCI 64 are repeated because of the difficulty to visually document any areas near popular hiking trails. These images mainly document three seasons, summer-fall-winter. Only a few reflect the spring season, because of the obvious dead wood on the ground (non-connecting lines with the vertical ones) that is not covered by either the snow or the summer plants. 

The maps
1 (introductory explanations, PDF 236kb, VECTOR = can be viewed in any size), 2 (the trail, PDF 100kb, VECTOR), 3 (the lit trail accompanied with the surrounding lights, some close-ups, and the trail lit on its own, PDF 375kb, VECTOR). This physical exercise makes total use of the curve, and tunes in with the rotation of the universe. 
INTRODUCTION 
3D models and maps, PDF (size 5000 x 30000), 2.99mb

Part one
VISUAL EXPLANATIONS 1a
Inside the HTML file: The image above is a MINI preview of NCI 66-going (North-South-East) for small screens. The height of the original images is reduced from 2000 to 195 pixels, total format (3240 x 15000), PDf 2.97mb, NO VISUAL EXPLANATIONS.

NCI 66, GOING (North-South-East): A ZIP file (22 PDFs, size 6480 x 30000), total 295mb.
Note: For those who do not agree with the red Xs, try to avoid NCI 66-1 and 3.
This exercise includes many natural elements that reflect the simplicity of the Golden Mean (Ø). These repetitions re-affirm the beauty of the immediate environment. The exercise includes a few portals (transparent and opaque trees) including the “  Ø  ” leading to the largest portals at the end, passage between 2 and 3 trees. It also includes 5 transitions from reduced to maximum light, preparing the most important opposition of light at the very end.
Note: The level of fluidity between the images in each of the following 22 files has been kept as in the previous NCIs.
VISUAL EXPLANATIONS 1b
Inside the HTML file: The image above is a MINI preview of NCI 66-return (West-South-North) for small screens. The height of the original images is reduced from 2000 to 195 pixels, total format (3240 x 15000), PDF 3.09mb, NO VISUAL EXPLANATIONS.

NCI 66, RETURN (West-South-North): A ZIP file (23 PDFs, size 6480 x 30000), total 308mb, VISUAL EXPLANATIONS. Note: For those who do not agree with the red Xs, try to avoid NCI 66-29 and 31.
These images bring additional visual information to the North-South-East exercise. Note: The level of fluidity between each image in each of the following 23 files has been kept as in the previous NCIs.

Part two
KEY VISUAL EXPLANATIONS
The four seasons, mainly summer-autumn-winter, regular and infrared photography.

Note: The level of fluidity between each image in each of the following 23 files is slightly lower than previous GOING and RETURN. Note: For those who do not agree with the red Xs, e66-8 contains some of them.

NCI 66, visual explanations: Four ZIP files (7, 5, 4, 7 PDFs, format (4000 to 11000 height x 30000 length except for 66-6c (20000 x 30000) total 391mb.

2a) PDFs 1a, b, c, 2a, b, c, d: The almost straight line versus the curve (small-medium-large, going/return images) and trees which interlace (going/return images), size (97.3mb).

2b) PDFs 3, 4a, b, 5a, b: Portals (going/return images) / transparency versus opacity (going/return images) / small to large (forms) and small to large (light), size (54.7mb).

2c) PDFs 6a, b, c, d: human thoughts collecting tree (HTC), north-west-south-east / HTC tree and fallen tree (dead) / HTC tree and its roots (format 20000 X 30000), fallen tree (dead) - north-west-south-east / the end of the HTC tree, size (98.3mb).

2d) PDFs 7a, b, c, d, e, f, and 8: Ø (1, 2, 3) / Ø (4, 5, 6) / Ø (triangle 1, 2, 3) / Ø (triangle 3, 2, 1) / Ø (trees 3-2) / Ø (trees 3-2) large format 	and 	the WE tree, size (140mb).

Part three
Examples of the discovery TRANSITION 
The four seasons, mainly summer-autumn-winter, regular and infrared photography. A very limited number of images from the other sections are repeated.
Note: The level of fluidity between the images in each of the following 23 files can be lower than those of GOING & RETURN. These examples can help for a better comprehension of the universal discovery transition.

TRANSITION: A ZIP file (21 PDFs, 4000 x 30000 (height by length), one of 4000 x 6480, and one of 4000 x 8640, total 248mb. These PDFs vary between 6.33mb and 13.6mb). VISUAL EXPLINATIONS.

PDFs 1a, b: Examples of the almost straight line versus the curve.

PDFs 2: Examples of small-medium-large.

PDFs 3a, b, c, d, e, f, g: New clarification, examples of flat versus textured elements.

PDFs 4a, b, c: Examples of transparency versus opacity.

PDFs 5: Examples of luminosity.

PDFs 6a, b: Examples of hard-edged elements.

PDFs 7a, b, c, d: Examples of color.

PDFs 8a, b, c: Examples of parallel color (transition 8). Regular and infrared COLOR photography.

For more information, please preview NCI 65 and Transition 2, 3, 4, 5, 6, 7, 8.

CONCLUSION
1 pdf, format (6500 height x 30000 length) 7.83mb, visual explanations.
NCI 66 also brings suggestions on how to free oneself from human thought collecting in order to save the precious inner energy needed to reach the exploration portal…

PREPARATION
A FEW IMAGES that demonstrate part of the necessary preparation for this exercise. 
The following files are for those interested in reproducing a walking exercise in real life or virtually. If you plan to exercise in similar natural connecting elements, make sure that it is away from cities, some visitors might not understand. If you aim at reproducing a similar virtual 3D voyage, it is recommended that you find a natural place to practice first. 
For a higher level of visual connection between the elements, some of the oblique lines (non-connecting) were physically and or virtually removed. The dead wood (branches and tree trunks) was almost completely removed in some areas. In this context, dead wood refer to the oblique lines or non-parallel to the vertical (live trees). For more information, please view NCI 64, 65 preparation.

Note: The level of fluidity between the images in each of the following 9 files can be lower than those of GOING & RETURN. 

Preparation 2009-17, a ZIP file (9 PDFs, between 4000 x 30000 (height by length) and 11000 x 30000, total 136mb. These PDFs vary between 7.59mb and 23.9mb). VISUAL EXPLINATIONS. The four seasons, mainly summer-autumn-winter, regular and infrared photography.

PDFs 1, 2, 3, 4, part of the preparation: 1 (middle section), 2 (middle section and slightly before the end section), and 3 (the end section of the exercise).
PDFs 5, 6, 7: 5 (the natural end of the second 1 versus Ø), 6 (examples of the original trail and re-taken by nature), 7 (examples of the making of trails using snowshoes).

If we add the files GOING, RETURN, KEY VISUAL EXPLINATIONS, TRANSITION and CONCLUSION of this natural connecting image, we obtain 2,760,000 pixels (647 meters) length by 4000-11000 pixels (94-258cm) in height.
 
For those who would like some free images of NCI 66, please contact the research center vitockey.

Wishing you unified sensory information,

Jean-Jacques Giguère © all rights reserved

P.S 1 
Before 2007, I very rarely used photography for recording nature because I felt that these walking exercises were best experienced physically. Then in 2007, due to the impossibility of communicating with the WHOs (please view the file "Who decide when it comes to sensory information?" at the bottom of each section), because of their inability to reach a universal approach, I decided to document nature to provide concrete evidence of the discovery transition.

The present man-made world –June 2017- is playing a major role in eliminating the natural transitions between the oppositions (images, sounds becoming more and more symmetrical…). Growing unprepared oppositions are unconsciously sapping the cerebral energy worldwide, resulting in confusion. In the name of freedom, good or bad are classified as equal = THE SPIRITUAL FOG.

Rare are those who are aware that communication between two or more human minds requires unified sensory information. Ample examples have been left by Bach, Beethoven, Escher, La Tour, and Rembrandt… 

The unique connecting image 18-23, has yet to be recognized as a highly prepared visual information, because those who are in charge of sensory information worldwide, are surrounded by broken sensory information from every angle = unprepared oppositions. This elite group of individuals who are unaware of the importance of images have enforced “the anything goes” at almost every level, resulting in amplifying the most dangerous addiction “HUMAN THOUGHT COLLECTING” or the impossibility for two human minds or more to work together for a long period. In 2017, societies are unable to contain normal behavior = broken sensory information = global suicide. 

Deep thinkers are gradually becoming aware of ways to CIRCUMVENT ignorance.

NCI 66 is an example of the Golden Mean (highly recognizable visual information that is instantly processed by the human mind). It epitomizes the science of visual communication, black - many transitions of greys - white = unified sensory information = portal to exploration. 

P.S 2
Some of you should know that since 1984, I have made many applications for teaching at the college and university levels in North America and a few in Europe, they were ignored. As for exhibiting art images, a very large number of applications -verbally and written- were also made in North America and Europe, the great majority were rejected except for my wife’s connection from her former position at the universities. She not only had the burden to pay for every bill, but has constantly been reminded that the research enclosed in this web site has been classified as unwanted by the experts in visual communication, the WHOs. They cannot be held responsible, because they are surrounded by audio-visual broken sensory information. We are the reflection of what we are surrounded with.