NATURAL CONNECTING IMAGE 67 (NCI)
(Documentation for a 3D virtual voyage)

Theory: NATURE PROVIDES A VISUAL BLUEPRINT OF THE HUMAN MIND.

NCI 67 illustrates the basic visual organization of an almost intact natural environment and can be used as an example for 3D virtual voyages incorporating the Golden Mean. It provides access to unified sensory information for those who are surrounded by broken sensory information. Visually speaking, it can be compared to the symbol of the Golden Mean = Ø. Its light organization reminds us of the importance of surrounding ourselves with connecting elements as described in transition 5.

In the natural world, connectors are provided to facilitate the passage between the different elements (forms, color, and light), for example the grays are used as transition to the oppositions black and white. These connectors prevent the loss of inner energy that can be used for positive thinking. In nature, the ease of movement from one form to another is so subtle that we are unaware of it, unless we spend a great amount of time analyzing its hidden conception. NCI 67 is an all seasons walking exercise in a natural environment and can also be categorized as a live linear drawing. The trail is made of long curves leading to smaller ones (circles = analysis of the surroundings from every angle). It facilitates movement from small to large (small-medium-large), exceptional combinations of almost straight lines and curves, opaque trees (northern and eastern section) and transparent (southern and western section), several portals (passage between two trees) and one portal in particular consists of circumventing an opaque -360 degrees- and is to tune the brain for the passage from reduced light (opaque trees) to maximum light (transparent trees and clearing). It is a reminder of naturel connecting image 61, section 2 (reduced light) preparing the passage to section 3 (maximum light), etc. 

Its vegetation consists of a combination of shrubs and trees (opacity = conifers, transparence = birches / cottonwood…). Its perimeter is approximately 44 X 59 meters (2626 square meters) including the exercise and part of the entourage, height 20-25m and altitude 744 meters approximate, PLEASE view the photographs. It is located at N53 53.075-97 - W122 48.557-68, recorded with a Garmin in 2016.  

For more information, view the NCIs 56, 61D, 63, 64, 65 and 66. In NCI 61D, the preparation to move from reduced light (shade in section 2) to maximum light (small lake = large clearing in section 3) is 3.4 kilometers. In NCI 56 & 63, of an altitude to more than 2,000 meters, we find a plethora of elements which are complementary in order to form a whole. The exercise of the NCI 64 ends into a clearing with maximum light. NCI 65 clarifies the importance of including the intermediates between the oppositions. NCI 66 clarifies the importance to be surrounded by highly recognizable elements like the Golden Mean. It is also suggested to visually read the discovery “transition”, for example in transition 4-61, the passage between large and small is approximately 100m (middle).

The repetition of exercises like these, makes it possible for anyone to reach dimensions beyond the five senses, depending on the content of one’s memory bank.

MINIMAL EXPLANATIONS
These files do not include written explanations as they are conceived for a visual reading. If you find it difficult to visually read them, it is recommended to view them more than once while listening to unified music (high level of connecting sounds that can help to concentrate...). They are also meant to be viewed in progression, as each file evolves from the previous ones. 

The blue purple ellipses at the bottom of each section are the links to the files, either a solo PDF or a Zip file (more than one PDF). The PDFs files of NCI 67 (4100-6480 x 30000 pixels) are meant to be viewed on a large or multiple monitors and or a screen with a projector. Their size vary from 4.42 to 16.8mb except for the maps (smaller). These files are password protected and can all be printed, quality internet. They can be opened with acrobat 7.0 or later and their visual quality is slightly above 50%. The ZIPs have not been compressed. 

The color red purple indicates the area to be viewed (the arrows = the place where the photographs were taken). The yellow green lines are used for connecting the diagrams 2d & 3d to the images. The red Xs indicate some of the non-connecting lines (dead wood = branches or tree trunks), suggestion: Not to be included, if part of a virtual 3D voyage. The following could be verified by any experts in mind scanning using MRI technology: Any non-connecting lines, for example oblique among vertical = dead branches or trees, have to be processed by the human mind. This means that the physical presence of these oblique lines is an obstacle for accessing the exploration mode. Fortunately in most healthy natural forests, the dead wood is limited to the ground, between 1-10% of the visual information. 

Techniques: Photography (regular and infrared), wood (one 3D model and some virtual 2D diagrams are used to simplify the limited visual explanation on the internet. These are approximate. The cameras used, were of semi-pro quality. The images were taken on sunny/cloudy/snowy days from 2016-18, and totalize approximately 140GB (raw & jpeg). The purpose of the enclosed photographs is to document NCI 67. The majority of the images in section 1, 2 (2000 pixels in height) are repeated in the sections 3, 4 (4000 pixel in height) with further visual explanations. These images mainly document three seasons, summer-fall-winter. Only a few reflect the spring season, because of the obvious dead wood on the ground (non-connecting lines with the vertical ones) that is not covered by either the snow or the summer plants. Note: The level of fluidity between the images in section 1, 2 has been kept as in the previous NCIs.

The maps
1 (introductory explanations, PDF 167kb, VECTOR = can be viewed in any size), 2 (the trail, PDF 105kb, VECTOR), 3 (the lit trail accompanied with the surrounding lights, the central trail with the oval accompanied by some lights, and the trail lit on its own, PDF 296kb, VECTOR). This physical exercise makes total use of the curve, and tunes in with the rotation of the universe. 

INTRODUCTION 
3D models and maps, PDF (size 5000 x 30000), 4.40mb

SECTION 1
The image above is a MINI (miniatures) preview of the zip file to the right. It is a PDF file conceived for small screens. The height of the original images is reduced from 2000 to 250 pixels, total format (1500 x 15000 pixels), 5.42mb. NO VISUAL EXPLANATIONS
The ZIP file NCI 67-1 (122mb, not compressed, as original) contains 8 PDFs (format 6480 X 30000 pixels). The larger images are 2000 pixels high, technique: Regular photography and infrared (emphasizes the visualization of the light…). 
The central trail going-return (North-South and South-North), 2 PDFs. This walking exercise and its surroundings reflect the simplicity of the Golden Mean and the exceptional transition of its natural light. It is made up of three portals inside the reduced light section (East); the entrance, the middle, and the end portal which is at an almost opposite angle -69 degrees- when compared to the portal at the entrance. Part of the walking exercise consists in walking around (360 degrees) the opaque tree part of the seventh portal (pine tree/reduced light to a birch tree/maximum light) twice (going from reduced light (North) to maximum light (South) and returning from maximum light (South) to reduced light (North). The purpose of this seventh portal is to help tune the brain for the transition of reduced light to the maximum light of the birch tree at the very end, depending of the season. It also connects the three portals of the east with the three portals of the west (reduced light to maximum and vice-versa). 
The oval trail (East-West and West-East) 2 PDFs, includes three portals. The first part of this walking exercise consists in going around (360 degrees) the opaque tree of the seventh portal which connects reduced light (East) with maximum light (West) and this in both directions. This is in order to tune the brain for the transition of light as in the previous exercise North-South and south-North. These three portals consist of transparent trees inside the western section (maximum light). 
The 360 degrees exercise part of the seventh portal (pine tree = reduced light) is a reminder of the reduced light of section 2 and the light filters of section 3, part of natural connecting image 61d.
Transition of light according to the four cardinal points consists of 4 PDFs. These files aim at repeating the following: In order for the creative section of the human mind to become conscious, it must be surrounded by visual unified sensory information. For example: Many variations of greys have to separate black from white. For more information, PLEASE view transition 5. 
VISUAL EXPLANATIONS
SECTION 2
The image above is a MINI preview of the zip file. It is a PDF file conceived for small screens. The height of the original images is reduced from 2000 to 250 pixels, total format (1500 x 15000 pixels), 4.42mb. NO VISUAL EXPLANATIONS
This ZIP file NCI 67-2 (89.9mb) contains 6 PDFs, format (6480 X 30000 pixels). The larger images are 2000 pixels high, technique: Regular photography and infrared (emphasizes the visualization of the light…).  
Straight lines versus the curves, the many examples of branches and tree trunks reflecting the straight line versus the curve are a reminder of natural connecting image 61d.
Transition from small to large, 
7 portals (3 in reduced light, 3 in maximum light and one key connecting portal). 
VISUAL EXPLANATIONS
The majority of the images in section 1, 2 (2000 pixels in height) are repeated in the sections 3, 4 (4000 pixel in height) with further visual explanations.
SECTION 3a
The image above is a MINI preview of the zip file. It is a PDF file conceived for small screens. The height of the original images is reduced from 4000 to 500 pixels, total format (6000 x 15000 pixels), 8.33mb. NO VISUAL EXPLANATIONS
This ZIP file NCI 67-3a (423mb) contains 36 PDFs, format (4100 X 30000 pixels). The larger images are 4000 pixels high, technique: Regular photography and infrared (emphasizes the visualization of the light…).  
Supplementary information of sections 1, 2. 
Note: The level of fluidity between the images of these 36 PDF files can be lower than those of sections 1, 2.
VISUAL EXPLANATIONS
 SECTION 3b
The image above is a MINI preview of the zip file. It is a PDF file conceived for small screens. The height of the original images is reduced from 4000 to 500 pixels, total format (6000 x 15000 pixels), 8.39mb. NO VISUAL EXPLANATIONS
This ZIP file NCI 67-3b (427mb) contains 38 PDFs, format (4100 X 30000 pixels). The larger images are 4000 pixels high, technique: Regular photography and infrared (emphasizes the visualization of the light…).  
Continuity of 3a. 
Note: The level of fluidity between the images of these 38 PDF files can be lower than those of sections 1, 2.
VISUAL EXPLANATIONS
SECTION 4
The image above is a MINI preview of the zip file. It is a PDF file conceived for small screens. The height of the original images is reduced from 4000 to 500 pixels, total format (6000 x 15000 pixels), 8.07mb. NO VISUAL EXPLANATIONS
This ZIP file NCI 67-4 (446mb) contains 38 PDFs, format (4100 X 30000 pixels). The larger images are 4000 pixels high, technique: Regular photography and infrared (emphasizes the visualization of the light…). 
EXAMPLES & FURTHER CLARIFICATIONS of the discovery TRANSITION.
VISUAL EXPLANATIONS

PREPARATION, MAINTENANCE (before / after)
The image above is a MINI (miniatures) preview of the zip files below. It is a PDF file conceived for small screens. The height of the original images is reduced from 2000 to 250-500 pixels, total format (1150 x 15000 pixels), 4.98mb. NO VISUAL EXPLANATIONS 
LEFT side, before / after: This ZIP file contains 4 PDFs, format 4100 X 30000 pixels (49.4mb), regular and infrared photography. Suggestions on how to look for natural visual sensory information in its purest form. VISUAL EXPLANATIONS
The following are suggestions on how to look for natural visual sensory information in its purest form. These include images that demonstrate part of the necessary preparation & maintenance for this natural exercise. The following files are for those interested in reproducing a walking exercise in real life or virtually. If you plan to exercise in similar natural connecting elements, make sure that it is away from visitors who might not understand. If you aim at reproducing a similar virtual 3D voyage, it is recommended that you find a natural place to practice first. 
For a higher level of visual connection between the elements, some of the oblique lines (non-connecting) were physically removed. The dead wood (branches and tree trunks) was almost completely removed in some areas. In this context, dead wood refers to the oblique lines or non-parallel to the vertical (live trees). For more information, please view NCI 64, 65, and 66 preparation. Note: The level of fluidity between the images of these 4 PDF files can be lower than those of sections 1, 2. 
AFTER
 Destruction, division of the land, future construction of buildings.
RIGHT side, after: This ZIP (61.1mb) contains 4 PDFs, format (6480 x 30000 pixels), technique: regular and infrared photography. VISUAL EXPLANATIONS

CONCLUSION
This PDF file is the conclusion of NCI 67, format 6480 X 30000 pixels (8.74mb). Technique: Regular photography and infrared. NCI 67 also brings suggestions on how to free oneself from human thought collecting in order to save the precious inner energy needed to reach the exploration portal…
EXPLICATIONS VISUELLES

The total size of this natural connecting image is slightly more than 1.57 GB. If we add the files of sections 1, 2, 3, 4, & conclusion of this natural connecting image, we obtain 3,960,000 pixels 2K (928 meters) length by 4000-6840 pixels 2K (94-161cm) in height.

For those who would like some free images of NCI 67, please contact the research center vitockey.
Wishing you unified sensory information,
Jean-Jacques Giguère © all rights reserved

P.S 1 
Before 2007, I very rarely used photography for recording nature because I felt that these walking exercises were best experienced physically. Then in 2007, due to the impossibility of communicating with the WHOs (please view the file "Who decide when it comes to sensory information?" at the bottom of each section), because of their inability to reach a universal approach, I decided to document nature hoping to get away from that permanent refusal and it resulted in the universal discovery Transition.
The present man-made world –December 2018- is playing a major role in eliminating the natural transitions between the oppositions (images, sounds becoming more and more symmetrical…). Growing unprepared oppositions are unconsciously sapping the cerebral energy worldwide, resulting in confusion. In the name of freedom, good or bad are classified as equal = THE SPIRITUAL FOG.
Rare are those who are aware that communication between two or more human minds requires unified sensory information. Ample examples have been left by Bach, Beethoven, Escher, La Tour, and Rembrandt… 
The unique connecting image 18-23, has yet to be recognized as a highly prepared visual information, because those who are in charge of sensory information worldwide, are surrounded by broken sensory information from every angle = unprepared oppositions. This elite group of individuals who are unaware of the importance of images have enforced “the anything goes” at almost every level, resulting in amplifying the most dangerous addiction “HUMAN THOUGHT COLLECTING” or the impossibility for two human minds or more to work together for a long period. In 2018, societies are unable to contain normal behavior = broken sensory information = global suicide. 
Deep thinkers are gradually becoming aware of ways to CIRCUMVENT ignorance.
NCI 67 is an exceptional example of transition from the light including the use of the Golden Mean (highly recognizable visual information that is instantly processed by the human mind). It epitomizes the science of visual communication, it provides the obvious explanation that any visual contrast must include a link between its opposites, for example black - many transitions of greys - white = unified sensory information = portal to exploration. 

P.S 2
Some of you should know that since 1984, I have made many applications for teaching at the college and university levels in North America and a few in Europe, they were ignored with no reply. As for exhibiting art images, a very large number of applications -verbally and written- were also made in North America and Europe, the great majority were rejected except for my wife’s connection from her former position at the universities. She not only had the burden to pay for every bill, but has constantly been reminded that the research enclosed in this web site has been classified as unwanted by the experts in visual communication, the WHOs. They cannot be held responsible, because they are surrounded by audio-visual broken sensory information. We are the reflection of what we are surrounded with.

P.S 3
Life is a privilege, no matter what.