ARCHITECTURAL PRODUCT
Invention, 1990s
In the early 1980s (solos S16, AS18…), I started to use the curve/straight line combination to eventually become more aware of their complementarity. This curve/straight line combination is quasi absent in the present manufactured world. It became more obvious with the discovery of connecting image 56, in the 1990s. For more information, please view the PDF “Decision or destiny” and NCI 56. Natural connecting image 61D-section 2 clarified the importance of this combination that can be compared to the transparency of the leaf trees side by side with of the opacity of the needle trees, please view Tr4-31… Theory: When surrounded by the combination curve/straight line (please view Tr4-9…) and the golden section (1.618), we eventually become aware that we are children of expansionist thinking. Competition becomes replaced by co-operation.

The following files do not include written explanations as they are conceived for a visual reading. They are also meant to be viewed in progression, as each file evolves from the previous ones. For a screen (1000 pixels or more in width). The two elliptical blue purple ellipses at the bottom of each image are the links to the PDFs. The top one is for one computer screen and the bottom one is a larger duplicate for multiple screens or a projector. Top (600 height x 6000 pixels) and the bottom (3000 height x 30000 pixels). The size varies between 274 kb and 13.4 mb. The virtual diagrams are approximate, virtually created, Spring 2015. These files can be printed, quality internet. 
For a better understanding, please view AS (sculptural organizations in 3D) 52, 53, 54, 55, 60, 61, 65, and 67.
  
MINIMAL EXPLANATIONS
To anyone interested in developing this theory, feel free to use a virtual approach.

The curve, complementary to the man-made straight line.

Roofs 1: Reviews of AS (sculptural organizations) 52, 53, 54, 55, 60, 61, 65, 67, color and natural wood. Partial use of the golden mean (Ø), views (front-side-above), 1990s.

Roofs 2: S (sculptures, studies for educational purposes) 96, 99, natural wood. Use of the golden mean (Ø), views (front-side-above), 2012.

Roofs 3: S (sculptures, studies for educational purposes) 97, 98, natural wood. Use of the golden mean (Ø), views (front-side-above), 2012.
 
Roof 4: AS (sculptural organization, vertical golden triangle) 77, excerpt from natural connecting images 61, 62, natural wood and seeds. Use of the golden mean (Ø), views (front-above), 2010.

Roof 5: AS (sculptural organization, horizontal golden triangle) 78, excerpt from natural connecting images 61, 62, natural wood and seeds. Use of the golden mean (Ø), views (front-side-above), 2010.
 
Roofs 6: Revision (AS 52, 55, 77, 78) leading to a series of virtual houses that are connected with roofs that use the curve. Color and natural wood, use of the golden mean (Ø), views (front-side), 1990-2015.

Jean-Jacques Giguère © all rights reserved